Another story from my short-story collection is on the web, this one at the Vol. 1 Brooklyn online venue. It’s “Death in Hammond,” from the latter part of the collection — the night on which the piece is set is loosely based on an old friend’s bachelor party, which did in fact involve a sighting of Keanu Reeves at a Chicago steakhouse, where none were too attentive, in fact, and courses were set for only marginally floating casinos, where momentous things would happen, no doubt. I hope you enjoy.
Now he tended to cry. He did not cry much as a child. From an early age, he was taught to suck it up. Boys don’t do that, his grandmother told him. So he swallowed the hot knots of emotion when he skinned his knee, when both index fingers were cut by the metal spool of streamers whilst decorating for the anniversary party, when his grade school crush did not give him a creased cardstock valentine.
He cried in his late twenties, but not in his tweens or teens. In his tweens or teens he felt the emotion, a fracas of rage and despair, eat away at his throat. He laid in bed for hours in the dark. He asked for death.
He cried he cried he cried. In adulthood, or at least when he felt that he had reached adulthood, when his responsible decisions outnumbered the irresponsible, he began to cry. He cried when he received the new wallet, he cried when he did not get accepted into the grad school of his choice, he cried when he thought of his wife.
He cried when he thought of his childhood, his grandmother, his father; he cried when he couldn’t explain why he resented his mother, teachers, friends; he cried when he felt alone, miserable, empty; he cried.
It’s so beautiful, he said one afternoon, watching a groundhog run its awkward back-heavy run through the empty lot across the street from the porch, tear tracks across his high cheeks.
T2Hers, a couple-few bits of news to share today:
1. Triumph of the Ape, the story collection I released as an ebook-only affair last year and then rather quietly took to print earlier this year is now on a run on Kickstarter to raise money to fund an initial sizable print run. You can contribute to the campaign — $12 level gets you the book and there are several other rewards, from past books of mine to THE2NDHAND’s past big anthologies (All Hands On, 2004, 2011) — via this link. Thanks in advance if you do! It’ll be live through around the end of June.
2. In the interim, for any writers out there: I do have a limited number of print review copies (as well as ebook versions) that are available should you be able to place a review someplace (or simply devote a blog post to the book).
3. Finally, Nashville folks, there’s also a reading Tuesday (May 21) where I’d love to see you in attendance! I’ll be reading a bit from the book. Find more details about all of this in the release-type text below, or in a new essay I wrote for the Tennessee Humanities’ Chapter 16 lit/review site here.
May 21 marks the first of the readings Todd Dills will be doing in support of Triumph of the Ape. In Nashville, Tenn., where he currently lives, he joins songwriter Mike Willis (of the great and awesome Cumberland Collective — you can check out my odd fictional paean to the group here) and East Side Storytelling host Chuck Beard at Fat Bottom Brewery, 900 Main Street, in East Nashville at 7 p.m. The reading and performance will be recorded and broadcast on Nashville’ WAMB radio, 1200 AM and 99.3 FM, at 2 p.m. the following Saturday.
The following bit of Nashville fiction samples lines from songs recorded by the Cumberland Collective March 3-5 at Blackbird Studios and written, variously, by Jason Eskridge, Clay Evans, Mike Willis, Connor Rand and other cowriting members. For more on the session, stay tuned. And you can find the crew on Facebook here.
He was a professional loiterer, a master in the art of keeping all his love to himself whose place was adjacent to speeding traffic atop one of just a few in-city walk- and motorways over a mighty river, the Cumberland. His front porch looked down on the mammoth Marathon diesel tanks in a tank farm just off the Colonial Pipeline and, farther east and north along the roadway, the downtown truck stop where the world passed through the little-big burg, Nashville, “Guitar Town” the highway haulers called it, “Music City” in the minds of most.
He called it home, if he called it at all.
“I’m OK with the way that I am,” he said to himself and anyone who would listen, but among the latter he could count only a very few, mostly Nashville cops who occasionally harassed him into moving down along the river banks and out of the wind, out of the way of the maybe two pedestrians who might actually find their way to his abode – Guitar Town was a car town, after all.
He was not exactly OK with the way that he was, if he really thought about it. He was running behind of too much, and, not afraid of changing, he would make something out of nothing. A sign, with which he would broadcast. He set about building it with wood of his city, of his river, planks he found washed up on the grounds of the tank farm, old nails not exactly pilfered from same, black paint for the base of the boards, white for the letters. A man named Denton who called himself Peterbilt after the truck manufacturer whose primary assembly factory stood tall in the Texas town that shared his name, and whose Nashville plant had seen more glorious times, found him that morning painting the giant collections of boards. Peterbilt walked due west/south, headed downtown, and after stopping to hear our hero’s story said he ought write the one about the alligator who became friends with the bassett hound because she decided a few things on her own, the alligator. Like there was usually no need to stop and think this thing through, life, there was too much hurt to go around, too many bassett hounds being eaten by alligators.
The two beasts, predator and prey, a songplugger promising a cut on a Kenny Chesney record for $200 and the streetcorner cat that paid him, would come together and prove that even nature could produce elegant harmonies from disparate parts, pull up a chair and sit on down, plenty love to go around. “This is Nashville,” as if “we need it,” Peterbilt said and walked on.
“He’s wearing tight women’s jeans,” the sign painter said to himself, watching Pete roll his way away. “I’ll never understand it.” But maybe he did.
He painted. He would face his sign in the direction of the truckers, where if it actually caught their eye it might have its biggest impact, sending little ripples down major U.S. highways and away from here. Only then might the folks behind the sign, the way Peterbilt went, bother to take a cruise from downtown and parts west across the river to the east side to see it. “This man can’t be trusted,” he said, though Peterbilt had a point, didn’t he. Just as out west, up north, maybe down south right here in Tennessee, a sign, his shingle, his face to the world, the thing needed a story to make your sister want to clap her hands, make you stand up and shot, scream out loud … Patience, he said, whole lot of patience — maybe his message — and went on painting.
The signboard was near 20 by 20, buttressed against March winds by appropriately-positioned four-by-fours comprising a sturdy four-post support system but just wobbly enough to lend working around it a feeling as if the wheels are coming off a little bit — the sign painter put everything he had into the last brushstroke on the bottom left edge and the board rocked.
Wind blew the paint dry and trash in from the east before it swirled at the bulkhead of downtown around the courthouse and candy wrappers and dry tax returns scattered by the two-year-old flood flew back the way it came. He sat. He missed Peterbilt, everybody needs pals. “He’ll be back,” he said.
Days passed. He dissembled the structure four different times after he’d painted his initial message for the truckers — ultimately a missive, the men were too busy, his patience seeping further out of him time after time he got the thing back up and some goon cruising downtown from East Nashville called in a tip, a cruiser stormed the other way with its lights loud and cutting the night….
But he had it back up when he needed it. “Pull up a chair and sit on down,” he said when Pete came on back down the bridge like he’d never left, though he’d traded in his ladies’ jeans for black chinos and an Affliction t-shirt. He picked up right where he left off. “Everywhere I turn, man, it seems like everyone is telling me what I should be,” he said. “No use keeping your heart all to yourself, though. Couldn’t look myself in the eye if I kept that up.”
“We might be kindred spirits, my man,” said the sign painter.
“Can I get an Amen? You have seen the light. Me, I live my life like a truck on the highway, mostly, but everybody changes.”
Am I hearing real words? the sign painter asked himself, slow to accept his own intuition about the one man with whom he’d had a real conversation since it all began, the sign.
Pete moved from behind the sign around front to where he could see what it said. “‘I am out here,’” he quoted. “Nah, man. That ain’t the way your mama brought you up to be. You’re going about it all wrong.”
Or was he just feeling the smoke blow? The sign painter leaned toward the former, leaned into the conversation with renewed vigor.
“You can’t just declare it, you know. My buddy Jason’s got this chili bar, man, this restaurant,” Pete said. “Like he says, you’ve gotta give them something they can chew on, some meat, man, though he makes a godawful-good veggie chili, too.”
So, the sign painter asked, “What would you have me say?”
“First thing I’d do is turn this sign around, brother,” he said. He squatted and got his biceps and parts of his shoulders under the front middle and lifted – the sign’s supports barely got a foot off the ground before the wind carried it and him forward, the sign painter rushing around to the other side to stop the forward progress and help get the monstrosity back on its feet.
“Dang,” Pete said. “I guess what goes around has its way of making its way back around to me.”
“Might write that on the sign.” But the sign painter was no victim, he was of this place, no antagonist any more than the truckers stopping for a night or Pete here might be.
“Nah,” Pete echoed. “How about this,” hands high, marking out the words laterally as he spoke, “‘A tumbleweed never puts roots down.’”
“Sounds like one for the truckers,” he said.
“Nah nah,” Pete said. “They already know it — they know you’re ‘out here,’ too, and they probably really don’t care. They don’t need to be reminded about tumbleweeds, man, and neither do they, really” – he pointed east into the neighborhoods – “though they might actually listen. Then he turned his pointer back around into the nest of skyscrapers: “They’re the ones that need it.”
So Pete and the sign painter turned his sign around and blacked over the old legend before replacing it. By the end, the winds died down and cold set in, a light late-winter snow dusting the legend’s edges just so. Pete wrapped one of the sign painters’ putrid blankets around his shoulders to wait for the aftermath. The two found an extra old chair down by the river and brought it back up to the bridge. They sat, and waited for the people to come.
The poetry and fiction of Kara Carlson, based in New Orleans, has been published in Travel Magazine, Blood Lotus, Denver Syntax and various other venues.
My girlfriend had one of those smiles you wanted to pray to. She went to the museum for an early evening event. The last thing I wanted to do was talk to people I didn’t know about things I didn’t care about in a museum I couldn’t name. I caught the MUNI to the cemetery. I walked among the graves of those fine and faceless people who had gone before me. I smoked a joint under the trees and walked on the bodies. All that mattered was that I was alone.
The girlfriend was the artsy type, and that frightened me. But we had sex and we smoked and we drank and we breathed, running high in our artificial perfection of life.
I lived with Larissa and two of her friends on the corner of Geary and Masonic above a restaurant bar and below crack-dealing brothers. Our trash accumulated outside the front door like bad breath and rats the size of pigs lived under our staircase, the wood of which seemed something less than functional. The kitchen floor sloped and our black, spiked front gate gleaned with spit and blood. San Francisco was the kind of city where you forgot that something was wrong with you but you remembered that you didn’t know what it was.
When I had money, I drank Jack Daniels. When I didn’t have money, I drank Old Milwaukee and paid with dirty change. This was one of those times when breakfast was a half pint. I had a job because Larissa told me it would make me happy. I worked at some organic green grocery joint that the girlfriend referred to as a specialty retail grocery store. We used my employee discount to buy twenty-two-dollar cases of wine. The name was Trader Dan’s, maybe Tom’s, something like that. My friend Catfish called it Trader Slaves.
I was just coming down from an all-night bender and had been stocking lettuce longer than forever. I went out back into the alleyway with the dumpsters, swallowed some pills, and lit up a cigarette. The black door banged open and banged shut and Catfish was next to me asking for a smoke. I handed one over as if it didn’t belong entirely in my mouth.
“Let’s leave,” he said.
It was September, the sun looked like it had been cooked by God, and the beer I drank tasted like bottles of heat. The bar was the type with wet walls, scary seats, and a beer menu with imports from places like Germany and Belgium. Catfish pulled his rubber band out of his hair and some pills out of his pocket.
“I forgot I had these,” he exclaimed. “It’s like Christmas when I was twelve.”
Catfish’s mouth was too long, his eyes were too small, and his whiskers hung off his face in strings. I believe I trusted him. The beer removed everything ravaging us, and the pills ferried us to the kind of glory that felt like a lifeline. Nowadays, all those afternoons and all those nights and all those pints fold together in erroneous versions of happiness. But who knows what true happiness is, anyway? Beautiful women with their big, flawless lips and brilliant breasts? Men that I glance at and can’t help feeling inferior to? (It’s like if I were to talk to them, the words would disintegrate in my mouth and eat my imperfect tongue.) Those people are more messed up than I am.
An hour or a minute later we were on 6th Street with the earth fogging at the edges. As we walked through the crosswalk, an extraordinary mass of a person marched toward us pushing a baby stroller. The person had to have weighed 300, 350 pounds. It had a triple chin with some stubble, one earring, massive breasts, and shoulder length hair, the bottom two-thirds of which had been dipped in burnt orange paint. It wore a Giants shirt 10,000 times too small. The baby in the stroller was truly the most beautiful thing I had ever seen. It looked like a celestial being, radiating with the majesty of innocence. It sat, satisfied and sucking its thumb. I wanted to be that baby.
“Oh wow oh man oh Jesus, is that a she-man? And how does it have a baby?” Catfish asked.
I couldn’t tell if he was whispering or screaming. Without saying a thing, the person swung back a fist that might as well have been a hammer and hit Catfish right in the middle of his face. Blood rained down on the sidewalk and Catfish collapsed with his eyes open and a smile like the echo of grace solidified on his face. I kept expecting the baby to turn around and stretch out its little fingers to heal the hurt. I wanted it to come back. I wanted it to repair me.
Catfish’s arms were above his head and his shirt halfway above his stomach. Hot red sticky blood dripped all over his life. It was one of those moments that stand alone and stand still. Catfish broke a nose and cracked some teeth. He didn’t die, but at that moment he was a crucifix in a street, martyred for the thoughts of the plain and ordinary. That night, when Larissa and I made love, I exhaled her name but thought of the baby and the blood and the inconsistency of life.
Years later, when I barely recalled Larissa’s name but definitely recalled her smile, I woke up with my face right in the dirt. I was in the cemetery, and a homeless man two steps away had woken me up. I just looked at the guy.
“You’re alive,” he said.
It wasn’t a question.
Paul Lask, formerly of Chicago, has been living in Santiago, Chile, since mid-2012. He is at work on a novel.
They left town at dawn, heading east into the mountains. When the sun hit it exposed lines in Carlos’ face that weren’t there the night they met. She had seen the scars of two barbell eyebrow piercings on the dance floor that night. They struck her as warning signs of trashiness. He turned out to have a good sense of humor, though. He was a little full of himself — enough to keep a short goatee and hand her his business card when he thought he was losing her in the conversation — but Sarah told herself it was a healthy vanity. Plus he hadn’t made the first move, even after they sunk the bottle of Carmenere at his place afterward.
Now they were driving the curvy roads at the foothills of the Andes. They told each other travel stories. They had already (that night with the wine) done the backstory thing. Sarah was from a small town in southern Wisconsin, and he was from Buenos Aires. That was where his wife lived while the couple took their break. He had no children.
She had just finished a bachelor’s degree in English Literature, turning 23 in July. Carlos was 34 and had dropped out of college years ago.
She told him about her post-high-school-graduation trip, when she and a girlfriend on a whim bought cheap plane tickets to Cancun. Carlos told her he’d traveled throughout South America, and once backpacked from Rome to Barcelona.
He smoked too much, she now noticed.
Sarah smoked only when she went out. She didn’t know the last time she’d bought a pack. The cigarettes in Chile had shock photos on them, hard not to notice, and she turned to look out the window; it was early November, springtime here. Just outside Santiago the land opened up and turned to flattish, bushy desert dotted with paddle-armed cacti blooming pink and white flowers. After an hour the road dipped in and out of valleys, where a river fed the willow and cottonwood trees that were deeper green and moving in the light wind. The trees, and the water, which was the muddy color of the Wisconsin River, reminded her of home.
Though this was the most non-touristy thing she had done since being here, she kept cool. She asked for a cigarette. She thanked him for remembering she was a vegetarian, and after smoking made them Gouda-on-white-bread sandwiches with mustard. They ate. Carlos was one of the many she’d met in Chile who drank mate tea in a gourd with a silver straw that looked like a spoon. She partook, pouring hot water from his thermos, and they took turns sharing the gourd. After 15 minutes or so she felt the mix of caffeine and nicotine and food move her bowels. She doubted she could wait until the border to use the restroom.
He pulled into a gas station off the two-lane road. There were no toilet seats in the damas bathroom, a whitewashed cinder building aside the station. She listened to the river outside the window near the ceiling, doing her best to balance herself.
When she came out she saw he was petting a stray dog, a charcoal greyhound that was the envy of the small pack of dogs watching from across the road. There were rags of snow left on the mountains in the distance. He asked if she was OK. Sarah was warm with embarrassment, and evenly said she was fine, thanks.
Getting in, Carlos made a joke about how hard she slammed the door. She hadn’t noticed, but was glad he had changed the subject away from her health.
As they drove she talked about Santiago. She soon found she was just telling him things she’d seen and done to keep the conversation moving.
She asked if he’d seen the locks on the bridge over the Mapocho River. They were supposed to symbolize love, she said, attaching a lock to the gate of the bridge and throwing the key into the water. She told him a student told her that they did the lock thing in Paris. She taught English as a Second Language for an institution, and went into the skyscrapers and drank coffee with people she considered powerful, those who needed to learn English so as to give talks to others like them, those in the mining and telecommunications industries — they knew what was going on in Paris.
He said it was a strange form of love. Locking it up and throwing away the key. She hadn’t thought about it that way, but could see what he was getting at.
She didn’t want to talk about love anymore, and so brought the conversation back to her disappointment with her work.
It was not why she’d studied literature, she said, to spread English like some missionary. Then again, Sarah wasn’t sure why she’d studied literature, other than she had always loved to read and write. She told him this was pretty much her essential dilemma, not wanting to teach businesspeople anymore. It was going to be the determining factor for how long she would stay in South America.
He told her he sometimes had the same conflict with his work. That he had not gone into photography to make money, originally. He wanted to shoot boxing and street art, two of his interests.
No, Carlos said when she asked — he did not box anymore. Or make street art. He joked that when he was old he would like to vandalize billboards. But really, he said, you have to make a career. If you can make money doing something you love, then you’re lucky.
* * *
She had already OKed him online. His business card had a link to his website, where his portfolio with the corporate photographs (mostly of sports drinks, cars, and 7-11-style snacks) confirmed he was on some level successful. She emailed him and said she’d enjoyed hanging out that night, and they began a conversation. They avoided social media, sticking to email, and after two weeks she admitted that her visa was expiring soon, and that she needed to cross the border to renew it. He had offered to give her a ride. Now they were here.
They began their climb into the mountains. His car reminded her of her friend’s shitty cars in high school. A couple of the heating vents on her side were busted, the CD player face was either stolen or forgotten, and it was dusty inside and out. She liked that he’d left a moccasin bead bracelet around the base of the gear shifter. It added personality.
Now and again she saw train tracks along the side of the mountain. He told her they were there for when they the days train cars hauled minerals from the rock instead of semis. The tracks were skinnier than American tracks, and at some points they disappeared into what looked like a landslide. In other parts there were long barns built to protect the train cars from the weather, the barn walls and roofs collapsed here and there. Road signs indicated the number of the curve they were passing. She didn’t like how hard he took the turns, often whipping around and having to hit the brakes before a lumbering 18-wheeler. He would hop over to pass the trucks, and Sarah couldn’t help but grip the handle above the door. To distract herself she read the Spanish words on the truck doors or along their sides. They passed a matching trio with dusty blue canvas tarps over their trailers, and she recognized the word Bolivia among the faded gold-lettered words.
He apologized again for the heat not working. He had suggested in his last email to bring something warm, that the altitude at the border was high, the temps low, and sometimes the traffic backed up. She had worn the hand-knitted wool sweater she’d bought from the open-air market the week she arrived in Santiago. It was still cold then, two and a half months ago. She had successfully passed through a season. Though she Skyped home weekly, she had no yearning to go back. She harbored a vague idea of graduate school but feared the loan, as well as having lost the patience to study literature academically.
At one point she pulled the visor down to block the sun. She selfishly studied her face in the mirror for a few seconds, her sunglasses, honey-colored bangs riffling in the cool air, the point of her nose pinkish from having been outside with a book yesterday, her lips dry. Before taking lip balm from her bag she peeked over at him. He also wore sunglasses. There were smoker’s crags in the black stubble growing on his cheeks, deep smile lines and the onset of crow’s feet spreading out from behind the glasses. He tamped out another smoke, his third or fourth this hour. She liked that he smoked soft packs. There was something older and rugged about it. He put the pack back in the little nook against the odometer glass, next to the pack of cinnamon gum he chewed between cigarettes.
About halfway up the mountain he pulled onto a gravel fan and suggested they get out and take pictures. She had her pocket digital, he a bulky camera with a big lens. She looked down and saw the road corkscrewing up and he told her the Spanish word for this, which sounded like escargot — a road that resembles a snail shell. She took a picture of the road, as well as the jagged mountaintops around them.
He set his camera on the car and set the timer. Sarah raised her sunglasses as he walked over, and at the last second reached over and raised his. He laughed. She felt his hand on her hip, just above the waistline of her jeans. It was a firm hold. She also had her hand on his side and was a little disappointed in his softness — if you were going to smoke so much, then you shouldn’t also eat too much. They got back in the car and started the last leg to the border.
* * *
He pulled into a huge tent with fans in the ceiling twisting out the exhaust smells of vehicles waiting to cross. She gave the agents in the booth her passport, its pages crisp and its visa boxes empty of stamps. Another agent looked in the trunk, tapped the Ford’s bumper with his baton. A few minutes later they were granted access to Argentina.
They began driving down the mountain to a town halfway to a bigger town called Mendoza. The plan was to have lunch in this halfway town.
Carlos had told her there were beautiful things to see on the way. That this was one reason he’d like to take her into the outer heart of his native country. The other reasons were still in her inbox — he had fun that night, dancing and drinking and talking. He thought she was smart. He thought she should consider staying in Santiago for a while, making sure to add that he didn’t want anything serious, just a friend. She could not say what she wanted. She did not want to go home and face the next step in her life yet, not even knowing what it was. She didn’t want to be a cliché, falling in love with someone in another country, either. Of the two options, the love one to her seemed better. Ultimately, she’d let life take her where it wanted for a while. To read and run in the morning as she always had, but to give some months up to contemplating her place.
They stopped at what translated to the point of the Incas. It was an area in the rock where the Incas had built bathhouses. A resting place. Leading to it was a natural bridge formed of the rock, whose bright yellow resembled limestone. There was a wood fence blocking it, so they walked down behind the few small hotels and shops. It was warmer down here. Desert again. There was a man far away raising and dropping what appeared to be a sledgehammer. But he was too far to hear, and there were heat lines rising off the ground, further obscuring him.
She refused another mate gourd when he offered a few minutes later.
But please, she said, have one, I like it here.
They sat in plastic chairs at a small table facing the gravel parking lot. She listened as he spoke with an old man in a ballcap and dark denim coat. The old man sounded jovial. Through translation she was told that the old man said the wind was going to pick up in about two hours. That a group of Chileans had asked him to put the upbeat music currently playing on the speaker attached to the awning of the restaurant. The lyrics to the song translated: When the singer stops / Life stops / Because life is a song
She liked that. She would have been happy staying at the point of the Incas― perhaps she could get a job here cleaning the tiny hotels, washing dishes.
This time when Sarah got in the car she was conscious not to slam the door.
They drove another three kilometers. He called them clicks. He asked if she had heard them called that before. Clicks. She had not. They say it in the war movies, he said.
He pulled off the road to a cemetery boxed off by a rock wall, explaining this was where they bury people who die in the mountains. If they don’t find the bodies, the family can still petition for a spot. He said he had taken good photos here.
She said she had a friend back home who had shown her some pictures taken in a cemetery one day. They showed weird orbs of light, which the friend claimed were ghosts.
That’s cool, he said.
The cemetery was centered by a big but climbable slate rock, a mini snail trail twisting up to it. Along the trail were the shrine-like graves. Flat headstones fastened with the fork and spoon the climber was using when they found the body; a bottle of wine for a lost relative; carabineers and rope and shoes in the dirt next to graves. Cemeteries did not move Sarah. Aside from her sister’s grave, she did not visit them, especially random ones, where she felt disrespectful, if anything. But she had gleaned from talking with Carlos — his music and movie preferences, his website — that he liked darkness offset with humor, and perhaps had a latent patriotism. It seemed his favorite memories were from Argentina. She wondered how long he and his wife were going to be separated. She wondered what his wife would think if she saw him with her. She was ready to go back to Santiago, slightly worried that the wife would be at the halfway restaurant, even though it was over a thousand clicks from Buenos Aires.
It was as they were turning to leave the cemetery that she saw the horses coming down a mountainside trail. She told him to look. There had to be eight, no, ten or more in the line. Nearby was a dilapidated train bridge over the river she assumed the horses were on their way to drink from. The dust they kicked up swirled in the first hints of wind the old man had predicted. They went to the riverbank to get a better look. He corrected her — they’re mules, he said, which the closer she got the better she could see their stunted size. They had a good laugh at that.
As they approached the bridge she could hear their hoofs clacking along the wet rocks below. The water was about 30 feet down, and on the bank the first thing she saw was a dead mule. Its head was missing, and its ribcage was shined clean from the running water. The others paid it no attention. Raised and dipped their heads in the stream. He snapped photos. It bugged her that he took seven or eight pictures at a time — digital laziness, she thought. If he was using film he’d have to work harder for the shot. She didn’t want to look at the dead mule anymore.
They walked the ties of the train bridge to the other end. There was a rusty banister along the side she used to steady herself, not looking down. She felt they were being childish like this because they’d run out of things to talk about. They crossed back.
As they left she saw the mules, various shades of gray and black and brown, stepping out of the water and up the bank to continue their mysterious journey.
After a long lunch and an espresso they started back. There was no wife surprise. But she knew from the morning and talking at lunch that she would not be seeing him again, and this made it easy for her to seem lighthearted. He pointed out the pope-hat peaks of one mountain range. She smiled and thanked him again for bringing her. She was enjoying the way the late afternoon light exposed crevices and folds in the walls of the towers.
They had to wait in a line of cars on the slight hill down to the Chilean border. It was just steep enough for him to cut the engine and drift in neutral when the line moved. This wasn’t a tent, but a few kiosks, and being out of things to talk about he smoked quietly while she studied their surroundings.
Up here it was cold again. A handful of goldfinches were weaving around, their bellies bright in the last of the sun. A couple guys about her age got out of the car in front of them. They wore hair gel and sunglasses, and started to dance a little, the sort of dancing that involves shoulder shrugging and light bouncing. She could hear the low thrum of the bass from their car.
When it was their turn they got out and he spoke with the border worker through the kiosk window. She handed her passport into the window. Was relieved to see the worker bring down the heavy stamp. Was soon back in the Ford heading down the mountain toward the desert.
It was there that she thought she said goodbye. The sky was a mix of orange and pale blue and the dark hills in the distance rose and fell softly. She had gathered by now that Carlos had a temper, and she didn’t want to put herself in danger or walk away with bad memories. She was being nicer than usual. Anyone who knew her would have seen through it.
In an hour they were passing lines of shanties along the river, swift with snowmelt, then were in the outlying region of Santiago. A million lights twinkled across the bowl of the land. The sky was more navy now, not quite dark, and the graffiti on the bridge tresses and shuttered stores was like a story both discombobulated and somehow coherent. Sarah was quick not to linger in the car when he dropped her off. It was normal here for people to kiss on the cheek when greeting and departing. She leaned across the gear shifter and hugged him goodbye, and he kissed her cheek. She was afraid he might try to hold her firmly again, but he did not, and she knew that he knew they would never see each other again.
King lives and writes in Nashville, Tenn.
Last night I dreamed that I was back in Germany, but this time I was stationed near a massive city, instead of in the midst of the charming and quaint town of Landstuhl I loved so much. Landstuhl always was something of a comforting reminder me of home in a strange, unfamiliar universe.
In fact, for this tour of duty, I truly had no conception of where I was stationed, and didn’t really care. I had been stationed on the post for weeks completely indifferent to my surroundings, and one day during work when everything was slow, the entire unit piled into an enormous camouflage van and headed for the mystery metropolis. We were all in uniform, and technically still on duty, so there was to be no drinking, of course. And also of course, I was demoralized.
But the moment we arrived, I felt that total sobriety would be preferable. I mean, who could get a beer down in a place like this, where the noise and the swirl of disorder was so crippling it choked the soul and made the throat close up, purposely denying itself oxygen as to head for the grave, away from the madness? I was seated next to Van Heusen, an actual old roommate of mine, and I had to scream into the side of his face to ascertain where we were.
“Say, what is this hell-hole we’re in?”
“WHAT IS THIS HELL-HOLE WE’RE IN?!”
“Oh, it’s called Bad Hamburg. You didn’t know? What rock have you been stationed under?”
I didn’t offer him any explanation, because frankly I didn’t feel like talking, much less roaring like a grizzly bear to get across a single sentence. I just sat back and watched, weeping internally.
There was the sharp, metallic sheen of modernity everywhere; of glass and steel and diamond-like glinting rushing from everywhere at once, unlike at a lake when the sun is dropping, and the glinting tends to stroll across the surface of the water as to be savored, or at the least pinpointed. In fact, Bad Hamburg, its name’s introduction fitting, hardly resembled Germany at all; it was more like Tokyo had been surgically implanted and, as a kind yet futile gesture, a cathedral or two and a few small buildings of timeless European descent were preserved to cower among the skyscrapers and the rip-off outlets. The entire community (could it be called that?) was comprised of imitation jewelry, ten-dollar Nikes and tax-breaking corporate manufacturing outposts. Christ, there were even neon Coors and Budweiser signs in the windows of the bars, in the middle of Germany!
Finally the van was parked, and I stepped off, disoriented and nauseated and with a splitting headache. We snaked through the narrow corridors off the main strip, dodging thousands of people, as the vendors at the stands shook five-dollar watches and necklaces in our faces while belting their haggles, and I ducked into a bar with a girl from our unit. I’d been dead wrong; complete sobriety could never be endured in a place like this. So I ordered a beer, a fucking Miller Lite; the Army could send me home if they wanted for having a watered-down beer; be my salvation, I beg of you.
Once again I could hardly hear myself fart or think, but at scattered intervals, when the techno stopped, I talked to the girl I once knew from my second duty station, but whose name I couldn’t place. She had short black hair and generous eyes, was kind and outgoing — that’s all I knew. You see, my brain and all its memory had been made molten by Bad New York or Hong Kong Hamburg, whatever the place was called.
But I remembered Landstuhl all too well, and I re-created it for the girl.
“I miss everything about Landstuhl,” I told her.
“We could walk from the barracks and get anywhere we wanted — no voyages needed in green, tank-like vehicles, and the train station was open-air. I mean, you could still see trees and grass and hills in the distance as the trains cruised by; the trains weren’t crammed into crowded, subterranean tunnels.
“Speaking of tunnels, there was one small tunnel leading to the train station in Landstuhl, passing under some streets; it also led to a couple of nightclubs on the outskirts of the town. The stones of the tunnel, like gems in a ring, were set in the perfection of ancient masonry, and weathered to that poetic dark-gray only time can execute. Between each stone was some kind of moss; it was green and bright, like landscapes in Ireland at sunrise.
“Once, my friend Adam and I ran into a couple of skinheads in that tunnel on the way to a disco. They pulled switchblades on us and started shouting in German, an unspeakable act for Landstuhl. But what’s funny is this — they didn’t have the gall to get too close to us. They were actually trying to rob us or tell us to go back to America from 30 yards away, so Adam and I picked up a couple of chunks of rather large rubble, jarred loose from a walkway platform, and assumed NFL quarterback passing positions. The skinheads de-switched their blades, pocketed them, turned and moved along at a deliberate pace, and shut their mouths, too, before letting loose one or two cursory final outbursts as if to appease their pride. That was the only incident remotely even close to a crime we ever encountered and/or heard of in the town of Landstuhl.
“The bar Adam and I usually went to was called the Kasade, and the owner was Rhiner. He had a couple of rotting front teeth, but it didn’t detract from his friendly nature. He used to bring us ‘meters’ of cola-beer; they were long, handmade wooden boxes, with the smaller glasses of beer on the outside, leading up to two large beers in the middle. The idea was to drink the smaller beers first, working your way to the center, where the last two big beers served as the toast, a kind of icing applied to the finished meter. On the meter boxes and the wooden tables were people’s names, carved in countless languages; each patron of The Kasade for the last 300 years, it seemed. I carved my own name into one of the tables after finishing the final meter of my life, possibly, the night before I left Landstuhl for my next duty station.
“By the spiraling stairwell leading down into the perfect half-darkness of The Kasade was a large, petrified tree, rising up through a flawlessly-crafted hole cut into the floor. There was a ring of bright red bricks decorating the circumference of the hole, encircling the roots. The tree was the color of snow or a birch, and names through the ages were carved into the tree, too.”
I finished my beer; that last bitter drop of watered-down dog piss, as the girl and I stepped out into the locust-like bellowing of the big city traffic and I yearned for a cola-weissen from one of Rhiner’s meters or a small-town fest on a Sunday afternoon.
She took one glance at the chaos and her usual jovial smile transformed to instant sadness and that distant sting of alienation, and so did mine.
Adam Moorad is a writer, salesman, and mountaineer. His work has appeared widely in print and online. He lives in Brooklyn. Visit him here.
Julie #2 ran off with the Sheppard. She took my Durango. Left me with her teenage daughter. She calls me by my first name. Her mother got her a drum set for her birthday. She spends all her time smashing the cymbals. My duplex vibrates. The bulbs break. The ceilings cave. I take a clown job at a corral.
“You look scared shitless,” one of the cowboys says to me on my first night. “But your makeup looks good.”
“Thanks,” I say. “This is all sorta new to me.”
He throws his arms around me and says, “I’ve been at this since ’93.” He stretches his quad and his braced knee clicks like it shouldn’t. ”Haven’t looked back since.”
He mounts a bull rattling in the stall beside us. It’s been spray-painted with the stars and stripes. Its nutsack looks like a punching bag. The cowboy scrubs his fingers on the bull’s neck and talks a little shit. There are families in boots and hats walking to their cars. A few Hispanics stick around. The stall flies open and the bull charges out bucking in spirals. The cowboy bounces off his coccyx and lands in the mud. The bull hops the fence into the bleachers. It’s total chaos. There’s nothing I can do.
Julie #2 is back at the duplex in the middle of the night. The Sheppard is sleeping in bed in between us and lets one rip. Julie #2 doesn’t wake up. The Sheppard spoons me and drool runs down my neck. I can’t take it. I get up. I drive the Durango down to Geronimo’s and crack a Kronenburg.
“You shoulda seen this one,” I tell him. “Nuts like a punching bag.”
Geronimo had a car accident in high school and has trouble paying attention.
“Seriously,” he says. “What’s with the makeup?”
I take the Durango for a cruise to clear my head. The horizon is a twist of neon. I sing “The Battle Hymn of the Republic” through the sunroof. Just Glory! Glory! Hallelujah! over and over. A truss bridge runs across a dry riverbed into hills stretched out in an alien way. I see the yellow neck of a Waffle House in the distance. The little bit of moon is a rednecked god. The land below is an albino waitress, rippled and minted. A soda can rolls across the road, picking up dust in the fading taillight.
The morning is an empty magnum. I make my way to the Lay-Z-Boy, but the Sheppard has beaten me to it, reclined and tongue bathing. I can hear Julie #2’s daughter lashing at her snare but Julie #2 is nowhere to be found. It all sets my head awhirl. I run outside and puke off the stoop. I sit on the steps wiping the gruel from my mouth. Then I feel a paw on my shoulder. It’s the old cougar from the next duplex down. She purrs and licks the makeup from my cheek. I watch her eyes dilate and fangs flare. I disappear inside her whiskers. She murmurs something sexy as if to say, “I like the smell of you, big boy. I bet you taste good.”
Just one customer sat in the shadowy bar, late afternoon.
So what’s new, said the bartender. You still working?
Tina gripped her beer. Nope, she said. I’m retired. You know what that means?
He smiled as he wiped dry a glass. No I don’t — what does it mean.
It means death — no, I’m only kidding –
He smiled as he picked up the next glass.
Good. You had me worried there.
Yeah — this is good beer.
We try, he said.
How come you never ask me what kind of beer I want?
Because I know what you want, he said.
But I’ve forgotten.
Tell me what brand of beer this is.
You should know. You ordered it years ago.
I’ve forgotten, I told you.
You don’t need to know.
She smiled and took a drink. Oh — hey listen, she said, resting her chin on her hand. What are your plans for today?
I’ll be here.
No. I mean after that?
After that I’ll be going home. Marty is taking over from me at five.
Marty? I don’t think I’ve ever met Marty.
Oh! He’s quite a guy. You’d like him.
In what way?
I don’t know. That would be up to you –
She waved a hand. Please!
But really — you ought to stay long enough to meet Marty. You ought to stay until five. It’s four already.
She looked at her watch. It’s five after four, actually.
So it is – anyway — Marty’s got a speedboat. You ought to go out with him on it.
He must have money –
Yeah and he drives a Mercedes convertible — a flashy sporty one.
What color is it?
That sounds cute –
It is — Marty’s got a plane too — he keeps it out at Kupper airport.
God — a speedboat, a Mercedes, a plane — how’s he do it on this salary?
Oh this is just a side job for Marty. He’s got several businesses.
What kind of businesses?
I’m not sure. He never really explained — but he rakes in the dough. He just works as a bartender to decompress.
Is he married?
What’s he look like?
Oh, handsome — very very handsome. Tall, built well, nice hair. He wears expensive clothes too. You should meet him. He used to work for an escort service — lord god he’s got the looks for it.
An escort service?
Yeah. And — he’s a skydiver — he jumps out of planes. Has been doing that for years.
And you say he’s single?
Oh yeah — and I’ve seen him with women — he pours on the charm — he really knows how to treat a woman — money is no object. I’ve seen him buy thousands of dollars worth of jewelry and other gifts — he bought one woman a Mercedes like his. For cash.
Nope — it’s true.
Were these just — women that he met here?
Yeah. Pretty much. I could see him going for you though.
Yes — hang around until five. I’ll introduce you.
What’s Marty’s last name?
I’m not quite sure.
What do you mean you’re not quite sure — you know everything else about him.
You get to know all about people who come in here — but you don’t always know their last names.
But he works here. He’s not just a customer. He works here, and you don’t know his last name? Isn’t this your place? Didn’t you hire him?
He shook his head and pushed out an arm.
No, no, no, look — I’ll be honest with you. I know his last name. He just wouldn’t want it shared.
Wouldn’t want it shared?
Right. He values his privacy. After all, when you’ve got that kind of money — you’ve got to be careful.
Because people will try and take advantage of you. I’ll tell you what — when you meet him, ask him his last name. If he wants you to know it, he’ll tell you. Like I said, hang around. It’s four thirty now.
OK — say what are your plans for tonight? Anything special?
Nope. Home to the wife, and kid — and a big dinner.
What’re you having for dinner?
Oh it’s a surprise — my wife always surprises me.
Is she a good cook?
Oh yeah — and as a matter of fact, so is Marty — he’s a real gourmet.
Yes. Cooks all kind of exotic dishes — squab, and like that.
Yeah. That’s a little bird.
Are you sure?
Oh yeah. Perfectly sure. Maybe Marty will cook a dinner for you. He’s done that for other ladies he’s met here. He’s had them over, had some wine, a good dinner –
And what else?
Oh nothing else. Marty is a perfect gentleman. He would never impose himself on a lady. And believe me — there are plenty of ladies who wish he would. I mean, with his looks, his clothes, his body, his way of speaking — oh when you meet him you’ll be impressed.
Sounds like you’re pretty impressed with him yourself.
I am. He’s someone a man can look up to. A good example. You should see how they’ll flock in here after he takes over — everybody will try and be near Marty — he’s got that — that charisma. And as a bartender, he’s superb — he knows every drink there is. Nobody’s stumped him yet. Wait until you meet him you’ll see — try and stump him.
I don’t usually go for exotic drinks –
Oh, but here’s something else — he’ll talk to you a little bit, size up your personality, then make you a special drink mixed just for you. He does that for all the ladies. Those are usually on the house.
On the house? How do you feel about that?
Oh, it’s fine — he draws such a crowd that in the end it’s all worth it. And here’s something else many people don’t know — he’s a war hero.
War hero? What war –
Gulf war. Silver Star. I tell you, he’s an interesting guy, worth meeting — oh look, it’s quarter to five. He could show up any minute. I tell you, when he comes in the whole place will light up.
I — I can’t wait to meet him.
I figured — and wait until you hear the way he talks — he knows how to talk to a lady — trust me, you’ll never have felt so much like a lady as Marty will make you feel.
How do you know all this? How the ladies feel –
They tell me how he makes them feel. They can’t help but want to talk about Marty. There’s never been another guy like him.
I’m a little bit nervous.
Here’s a fresh beer.
It’s eight to five — he will be here any time now. Oh — and you know what else?
He’s a great dancer. He’s won several dancing competitions. You ought to get to know him and get him to take you out dancing — why, I’ve heard that out at the Willows, when he goes there dancing, the people just gather around in a big circle and watch him and his partner dance, that’s how good he is. Are you a good dancer?
Well — I think so.
Dancing with him will make you twice the dancer you already are — take it from me — I’ve seen him. He’s like a Fred Astaire — hey look — it’s four to five. He will be here any time now. Be ready, though. Sometimes he comes in a little bit early. Likes to freshen up in the men’s room before he starts his shift — he always looks fresh pressed and sharp, hair perfect — and you ought to see his posture — it’s better than a Marine’s. He carries himself like a king.
Wow — you really think a lot of him, don’t you –
Why do you say?
You go on and on like this –
I can’t help it but go on and on about Marty — hey — it’s two minutes to five. That door might open any second –
What kind of cologne does he wear? That’s about the only thing you haven’t told me –
It’s a minute to five. Watch the door.
My God. You –
It’s thirty seconds to five. Look — Marty’s always on time, on the dot.
It’s 15 seconds to five.
It’s eight seconds to five –
She drank from her beer.
It’s four seconds –
It’s half a second to five.
It’s a quarter of a second to five –
An eighth –
A sixteenth –
She sat open-mouthed.
A sixty-fourth –
A one hundred twenty-eighth –
A two hundred sixty-fifth –
And they sat frozen waiting forever in the dim-lit late afternoon bar for Marty, because the time turned out to be always half of a half of a half of a half of the time until five. They waited and they waited and five o’clock never came — and the closer it got to five o’clock the less time there was to speak, to think, to act, about Marty. The less time there was for their hearts to pump and their blood to flow. So they ceased to exist. They froze. They shrank to nothing — trapped in Marty time.