There’s a series of blog posts all answering the same set of questions going around like a chain letter — in part, it will see something of a tentacle-end here, as I have been less-than-diligent about making certain friends and associates were lined up after me. There are two, however, folks perhaps more interesting than myself who will be taking part fairly soon, one a longtime T2Her who may or may not be living under an assumed name wherever he happens to be these days and the other a newer acquaintance/coconspirator living close by here in Guitar Town, as the highway haulers call it (find them at the end of what follows, a self-interrogation regarding my “long thing” long in the works). Gretchen Kalwinski gave me the big hand-clap over the turnbuckle to set me out on this, fyi — her addition to the “Next Big Thing” blog chain (whose name perhaps strokes my elementally narcissistic tendencies very nicely, thank you) you can find here. Well worth the time.
What is your working title of your book (or story)?
Shining Man, not that guy up there (yeah, that’s me)
Where did the idea come from for the book?
A couple places:
The extremities of bright light and darkness, the wild metaphorical possibilities of the activity of standing in traffic as a life’s pursuit, the character’s somewhat misanthropic but ultimately vulnerable and empathetic nature — all of these stuck with me through the years as I went about other business and watched a near-decade of war, greed, etc. takes it toll on the people and places around me. As the toll was becoming readily apparent in 2007, I was living in Birmingham, Ala., and picked the story back up for a long-ish amount of time before other projects intervened.
What genre does your book fall under?
Literary fiction, I believe, though Amazon at one point not so long ago had my first novel, Sons of the Rapture, categorized as “Men’s Adventure” or something similar — I suppose that might fit too!
There are some elements of mystery/noir, but they’re utilized to either satirical or character-building purposes, ultimately.
Which actors would you choose to play your characters in a movie rendition?
Are you serious? OK, I guess you are. The only actors who could potentially play the narrator that I can actually think of and name are way too old to do so by now, which may tell you a little about my connection with a lot of U.S. popular culture at this point. Actually, on second thought, the gent who played junkie/brit rock’n’roller/budding father figure Charlie in Lost I can sort of see as physically resembling my mental image of the character. Eh…
What is the one-sentence synopsis of your book?
A young man, learning of his father’s disappearance and possible death, flies off on a series of goose-chases to which he is unwitting, works without meaning at one gig after another and ultimately drops out of the mainstream of American life when he’s able to see with clarity the very simply reality that he’s not the only one dealing with the many barriers erected in front of his pursuit of meaning, happiness. (Long sentence, I know — I need to work on that. Gretchen did much better.)
Will your book be self-published or represented by an agency?
Are you serious? OK, once I finish it I’ll deal with that — the last two book projects I’ve undertaken (click through the image at the right for the latest) have been entirely self-driven (with pro bono help, of course — thanks again, everybody), and it’s very time-consuming to get all the pieces of a quality project together. If I can get help, I will take it.
How long did it take you to write the first draft of your manuscript?
Technically, I haven’t finished the first draft. But much of the material with this one has been rewritten over and over as I slowly move forward with the story. I’ve been working off and on since 2007 with this material, after the original short in 2000. The six years have been interrupted by those two book projects (in terms of writing, editing and producing), a full-time job writing for a couple magazines, and more, so saying I’ve been working on it for six years is not telling the whole story.
What other books would you compare this story to within your genre?
As noted earlier, Invisible Man is a definite structural/broad-thematic inspiration. It will have some similarities to a number of first-person-told novels of coming of age or, rather, late coming of age and adjusting badly to adult life. Barry Hannah’s Geronimo Rex, maybe.
Who or what inspired you to write this book?
Cf. “where did the idea come from”/similar question above. Much of the inspiration these days is self-propelled, a matter of will, you could say, and creating the time to do the work. The Occupy phenomenon got me back into it in earnest a year and a half back, actually, supplying a sort of real-life corollary to a plot/thematic element I had long been struggling with how exactly to approach. Life is more interesting that fiction, reality catches up with fiction, all that.
What else about your book might pique the reader’s interest?
It involves in its latter half or so a NASCAR driver and his team — Turner Bascombe is some senses intended as a contemporary version of wildman stock-car circuit pioneer Curtis Turner, one of the old driver-owners active mid-last century. Bascombe is something of an impossible figure in the reality of top-level stock-car racing today, being a successful driver-owner in an era of big-money multi-car teams and what-have-you, but I find the notion compelling and the potential for such a character great. I grew up near Charlotte, N.C., after all, home of most of the NASCAR teams, and a good bit of the novel is set there (the narrator spends a part of the book on the pit crew of the team after a chance meeting with Bascombe during a freeway traffic stand in Alabama on the eve of the Talladega race). I have an old affection for the racing pastime/sport/waste of perfectly good oil.
Chuck Beard is the proprietor the East Nashville-based East Side Story bookshop, dedicated to Nashville-based writers, primarily, and artists. He’s also the author of the novel Adventures Inside a Bright-Eyed Sky.
King lives and writes in Nashville, Tenn.
Last night I dreamed that I was back in Germany, but this time I was stationed near a massive city, instead of in the midst of the charming and quaint town of Landstuhl I loved so much. Landstuhl always was something of a comforting reminder me of home in a strange, unfamiliar universe.
In fact, for this tour of duty, I truly had no conception of where I was stationed, and didn’t really care. I had been stationed on the post for weeks completely indifferent to my surroundings, and one day during work when everything was slow, the entire unit piled into an enormous camouflage van and headed for the mystery metropolis. We were all in uniform, and technically still on duty, so there was to be no drinking, of course. And also of course, I was demoralized.
But the moment we arrived, I felt that total sobriety would be preferable. I mean, who could get a beer down in a place like this, where the noise and the swirl of disorder was so crippling it choked the soul and made the throat close up, purposely denying itself oxygen as to head for the grave, away from the madness? I was seated next to Van Heusen, an actual old roommate of mine, and I had to scream into the side of his face to ascertain where we were.
“Say, what is this hell-hole we’re in?”
“WHAT IS THIS HELL-HOLE WE’RE IN?!”
“Oh, it’s called Bad Hamburg. You didn’t know? What rock have you been stationed under?”
I didn’t offer him any explanation, because frankly I didn’t feel like talking, much less roaring like a grizzly bear to get across a single sentence. I just sat back and watched, weeping internally.
There was the sharp, metallic sheen of modernity everywhere; of glass and steel and diamond-like glinting rushing from everywhere at once, unlike at a lake when the sun is dropping, and the glinting tends to stroll across the surface of the water as to be savored, or at the least pinpointed. In fact, Bad Hamburg, its name’s introduction fitting, hardly resembled Germany at all; it was more like Tokyo had been surgically implanted and, as a kind yet futile gesture, a cathedral or two and a few small buildings of timeless European descent were preserved to cower among the skyscrapers and the rip-off outlets. The entire community (could it be called that?) was comprised of imitation jewelry, ten-dollar Nikes and tax-breaking corporate manufacturing outposts. Christ, there were even neon Coors and Budweiser signs in the windows of the bars, in the middle of Germany!
Finally the van was parked, and I stepped off, disoriented and nauseated and with a splitting headache. We snaked through the narrow corridors off the main strip, dodging thousands of people, as the vendors at the stands shook five-dollar watches and necklaces in our faces while belting their haggles, and I ducked into a bar with a girl from our unit. I’d been dead wrong; complete sobriety could never be endured in a place like this. So I ordered a beer, a fucking Miller Lite; the Army could send me home if they wanted for having a watered-down beer; be my salvation, I beg of you.
Once again I could hardly hear myself fart or think, but at scattered intervals, when the techno stopped, I talked to the girl I once knew from my second duty station, but whose name I couldn’t place. She had short black hair and generous eyes, was kind and outgoing — that’s all I knew. You see, my brain and all its memory had been made molten by Bad New York or Hong Kong Hamburg, whatever the place was called.
But I remembered Landstuhl all too well, and I re-created it for the girl.
“I miss everything about Landstuhl,” I told her.
“We could walk from the barracks and get anywhere we wanted — no voyages needed in green, tank-like vehicles, and the train station was open-air. I mean, you could still see trees and grass and hills in the distance as the trains cruised by; the trains weren’t crammed into crowded, subterranean tunnels.
“Speaking of tunnels, there was one small tunnel leading to the train station in Landstuhl, passing under some streets; it also led to a couple of nightclubs on the outskirts of the town. The stones of the tunnel, like gems in a ring, were set in the perfection of ancient masonry, and weathered to that poetic dark-gray only time can execute. Between each stone was some kind of moss; it was green and bright, like landscapes in Ireland at sunrise.
“Once, my friend Adam and I ran into a couple of skinheads in that tunnel on the way to a disco. They pulled switchblades on us and started shouting in German, an unspeakable act for Landstuhl. But what’s funny is this — they didn’t have the gall to get too close to us. They were actually trying to rob us or tell us to go back to America from 30 yards away, so Adam and I picked up a couple of chunks of rather large rubble, jarred loose from a walkway platform, and assumed NFL quarterback passing positions. The skinheads de-switched their blades, pocketed them, turned and moved along at a deliberate pace, and shut their mouths, too, before letting loose one or two cursory final outbursts as if to appease their pride. That was the only incident remotely even close to a crime we ever encountered and/or heard of in the town of Landstuhl.
“The bar Adam and I usually went to was called the Kasade, and the owner was Rhiner. He had a couple of rotting front teeth, but it didn’t detract from his friendly nature. He used to bring us ‘meters’ of cola-beer; they were long, handmade wooden boxes, with the smaller glasses of beer on the outside, leading up to two large beers in the middle. The idea was to drink the smaller beers first, working your way to the center, where the last two big beers served as the toast, a kind of icing applied to the finished meter. On the meter boxes and the wooden tables were people’s names, carved in countless languages; each patron of The Kasade for the last 300 years, it seemed. I carved my own name into one of the tables after finishing the final meter of my life, possibly, the night before I left Landstuhl for my next duty station.
“By the spiraling stairwell leading down into the perfect half-darkness of The Kasade was a large, petrified tree, rising up through a flawlessly-crafted hole cut into the floor. There was a ring of bright red bricks decorating the circumference of the hole, encircling the roots. The tree was the color of snow or a birch, and names through the ages were carved into the tree, too.”
I finished my beer; that last bitter drop of watered-down dog piss, as the girl and I stepped out into the locust-like bellowing of the big city traffic and I yearned for a cola-weissen from one of Rhiner’s meters or a small-town fest on a Sunday afternoon.
She took one glance at the chaos and her usual jovial smile transformed to instant sadness and that distant sting of alienation, and so did mine.
Just one customer sat in the shadowy bar, late afternoon.
So what’s new, said the bartender. You still working?
Tina gripped her beer. Nope, she said. I’m retired. You know what that means?
He smiled as he wiped dry a glass. No I don’t — what does it mean.
It means death — no, I’m only kidding –
He smiled as he picked up the next glass.
Good. You had me worried there.
Yeah — this is good beer.
We try, he said.
How come you never ask me what kind of beer I want?
Because I know what you want, he said.
But I’ve forgotten.
Tell me what brand of beer this is.
You should know. You ordered it years ago.
I’ve forgotten, I told you.
You don’t need to know.
She smiled and took a drink. Oh — hey listen, she said, resting her chin on her hand. What are your plans for today?
I’ll be here.
No. I mean after that?
After that I’ll be going home. Marty is taking over from me at five.
Marty? I don’t think I’ve ever met Marty.
Oh! He’s quite a guy. You’d like him.
In what way?
I don’t know. That would be up to you –
She waved a hand. Please!
But really — you ought to stay long enough to meet Marty. You ought to stay until five. It’s four already.
She looked at her watch. It’s five after four, actually.
So it is – anyway — Marty’s got a speedboat. You ought to go out with him on it.
He must have money –
Yeah and he drives a Mercedes convertible — a flashy sporty one.
What color is it?
That sounds cute –
It is — Marty’s got a plane too — he keeps it out at Kupper airport.
God — a speedboat, a Mercedes, a plane — how’s he do it on this salary?
Oh this is just a side job for Marty. He’s got several businesses.
What kind of businesses?
I’m not sure. He never really explained — but he rakes in the dough. He just works as a bartender to decompress.
Is he married?
What’s he look like?
Oh, handsome — very very handsome. Tall, built well, nice hair. He wears expensive clothes too. You should meet him. He used to work for an escort service — lord god he’s got the looks for it.
An escort service?
Yeah. And — he’s a skydiver — he jumps out of planes. Has been doing that for years.
And you say he’s single?
Oh yeah — and I’ve seen him with women — he pours on the charm — he really knows how to treat a woman — money is no object. I’ve seen him buy thousands of dollars worth of jewelry and other gifts — he bought one woman a Mercedes like his. For cash.
Nope — it’s true.
Were these just — women that he met here?
Yeah. Pretty much. I could see him going for you though.
Yes — hang around until five. I’ll introduce you.
What’s Marty’s last name?
I’m not quite sure.
What do you mean you’re not quite sure — you know everything else about him.
You get to know all about people who come in here — but you don’t always know their last names.
But he works here. He’s not just a customer. He works here, and you don’t know his last name? Isn’t this your place? Didn’t you hire him?
He shook his head and pushed out an arm.
No, no, no, look — I’ll be honest with you. I know his last name. He just wouldn’t want it shared.
Wouldn’t want it shared?
Right. He values his privacy. After all, when you’ve got that kind of money — you’ve got to be careful.
Because people will try and take advantage of you. I’ll tell you what — when you meet him, ask him his last name. If he wants you to know it, he’ll tell you. Like I said, hang around. It’s four thirty now.
OK — say what are your plans for tonight? Anything special?
Nope. Home to the wife, and kid — and a big dinner.
What’re you having for dinner?
Oh it’s a surprise — my wife always surprises me.
Is she a good cook?
Oh yeah — and as a matter of fact, so is Marty — he’s a real gourmet.
Yes. Cooks all kind of exotic dishes — squab, and like that.
Yeah. That’s a little bird.
Are you sure?
Oh yeah. Perfectly sure. Maybe Marty will cook a dinner for you. He’s done that for other ladies he’s met here. He’s had them over, had some wine, a good dinner –
And what else?
Oh nothing else. Marty is a perfect gentleman. He would never impose himself on a lady. And believe me — there are plenty of ladies who wish he would. I mean, with his looks, his clothes, his body, his way of speaking — oh when you meet him you’ll be impressed.
Sounds like you’re pretty impressed with him yourself.
I am. He’s someone a man can look up to. A good example. You should see how they’ll flock in here after he takes over — everybody will try and be near Marty — he’s got that — that charisma. And as a bartender, he’s superb — he knows every drink there is. Nobody’s stumped him yet. Wait until you meet him you’ll see — try and stump him.
I don’t usually go for exotic drinks –
Oh, but here’s something else — he’ll talk to you a little bit, size up your personality, then make you a special drink mixed just for you. He does that for all the ladies. Those are usually on the house.
On the house? How do you feel about that?
Oh, it’s fine — he draws such a crowd that in the end it’s all worth it. And here’s something else many people don’t know — he’s a war hero.
War hero? What war –
Gulf war. Silver Star. I tell you, he’s an interesting guy, worth meeting — oh look, it’s quarter to five. He could show up any minute. I tell you, when he comes in the whole place will light up.
I — I can’t wait to meet him.
I figured — and wait until you hear the way he talks — he knows how to talk to a lady — trust me, you’ll never have felt so much like a lady as Marty will make you feel.
How do you know all this? How the ladies feel –
They tell me how he makes them feel. They can’t help but want to talk about Marty. There’s never been another guy like him.
I’m a little bit nervous.
Here’s a fresh beer.
It’s eight to five — he will be here any time now. Oh — and you know what else?
He’s a great dancer. He’s won several dancing competitions. You ought to get to know him and get him to take you out dancing — why, I’ve heard that out at the Willows, when he goes there dancing, the people just gather around in a big circle and watch him and his partner dance, that’s how good he is. Are you a good dancer?
Well — I think so.
Dancing with him will make you twice the dancer you already are — take it from me — I’ve seen him. He’s like a Fred Astaire — hey look — it’s four to five. He will be here any time now. Be ready, though. Sometimes he comes in a little bit early. Likes to freshen up in the men’s room before he starts his shift — he always looks fresh pressed and sharp, hair perfect — and you ought to see his posture — it’s better than a Marine’s. He carries himself like a king.
Wow — you really think a lot of him, don’t you –
Why do you say?
You go on and on like this –
I can’t help it but go on and on about Marty — hey — it’s two minutes to five. That door might open any second –
What kind of cologne does he wear? That’s about the only thing you haven’t told me –
It’s a minute to five. Watch the door.
My God. You –
It’s thirty seconds to five. Look — Marty’s always on time, on the dot.
It’s 15 seconds to five.
It’s eight seconds to five –
She drank from her beer.
It’s four seconds –
It’s half a second to five.
It’s a quarter of a second to five –
An eighth –
A sixteenth –
She sat open-mouthed.
A sixty-fourth –
A one hundred twenty-eighth –
A two hundred sixty-fifth –
And they sat frozen waiting forever in the dim-lit late afternoon bar for Marty, because the time turned out to be always half of a half of a half of a half of the time until five. They waited and they waited and five o’clock never came — and the closer it got to five o’clock the less time there was to speak, to think, to act, about Marty. The less time there was for their hearts to pump and their blood to flow. So they ceased to exist. They froze. They shrank to nothing — trapped in Marty time.
1) Russell sat in the driver’s seat after saying goodbye to his father for the last time. The idling engine sputtered out curls of exhaust fumes that wafted like ghosts through the tunnels of the hospital parking structure. He punched the steering wheel four times and feared a fifth might cause the airbag to deploy, which would probably break his nose, definitely his glasses. He waited until all the other cars were gone before he cried.
2) Demolition of The Berlin Wall started this morning and best friends Ben and Kristi decide to celebrate. Tonight, Ben parks his car on Lakeshore Drive, overlooking Lake Michigan, just north of Navy Pier. The beige car is nearly hidden in the hairy spine of sand dunes and fireweed. They listen to coverage of the destruction on the radio. Ben pulls a flask from his coat pocket, raises it as high the car’s roof will allow and toasts, “To the death of communism.” He takes a quick drink, winces tightly, then passes the flask to Kristi. She drinks without making a toast. The radio continues: crowds shouting We want out! and the thunderous boom of brick turning to dust. Kristi looks out at the ships rising and falling on the water. Like shooting stars, the lights bloom then disappear into the darkness. She thinks about all the families and estranged lovers of East and West Germany reuniting in one another’s arms. She looks at Ben and smiles. She thinks there is hope.
3) You’re alone in your car, speeding out of your neighborhood. Your mother is having him over again, and walking downstairs to that used piece of bubblegum wrapping his doughy arms around her is about the last thing you need right now. You wonder if you should drive to your dad’s house, but immediately you decide not to. It’s already dark and the drive from Waukegan to Cicero is almost two hours. Nearly crying, you pull up to a stoplight and rummage through your backpack for your cigarettes. You think you get your hands around the pack and pull them out, only to find it’s not your cigarettes. It’s a cassette-tape case. Jules, play me. ♥ James. You open the case and put the tape into the car’s player, still mildly concerned that you are unaware of the contents of your own backpack. “Julia” by The Beatles begins to whisper through the speakers. You push the seat back and close your eyes, pretending John Lennon is stroking your hair and singing you to sleep. The light turns green and cars start honking behind you. But you won’t move, not until the mixed tape winds to an end.
4) “Christ, Evelyn, the whole world is changing without us,” Carl grumbled as he threw this morning’s copy of the Tribune down on the coffee table. Evelyn saw the headline and mouthed words Chicago’s – Oldest – Drive-In – Closed – Permanently. “It’s like I told you. First they change the Sears Tower to the ‘Willis Tower.’ Then they close our drive-in. Next they’ll be wanting to change the name Chicago to ‘Idiotsville.’
“I’d like to go there, Carl.”
“The River-Walk,” Evelyn said, looking at her husband with sad eyes. Carl nodded silently, as if out of respect, and they left.
Their Corolla rolled to a stop in front of the large white wall of the River-Walk Drive-In. Only days after its final showing and already the cracked grey asphalt had given way to invading knotweed and peppergrass. There were still buckets of half-eaten popcorn strewn about the parking lot with a few lucky pigeons getting their fill.
“It’s a damn shame.” Carl tugged on the hair below his bottom lip, making a suction sound like sticky feet from a hardwood floor.
“Do you remember our first date?” Evelyn asked with a smile.
“You bet little lady. It’ll be 40 years this summer, God smiled down on this lucky sailor and gave him a trip to the drive-in with a gal prettier than Sophia Loren.” They both laughed.
With the sun going down and the world slowly becoming a sad mystery, Evelyn laid her head on her husband’s shoulder and they both stared at the wall in front of them, as if it were show time.