A couple days or weeks or less later, Susannah and I got stranded at the Hollywood Grill at Ashland and North Ave. early early early one morning on the way home from a bachelorette party night for her former sister-in-law for which I was to have served as the ride-home chauffeur. Over 3 a.m. plates of whatever beautifully greasy slop was served up that night, our waitress happened to ask if we’d parked in their then-brand-new mini-parking garage along Ashland.
Bad news: “You won’t be able to get your car for a while,” she said. “It’s a crime scene.”
Someone had been shot.
Then, well, the return round 9 a.m. to pick up the car, ensuing paranoid anticipation of strike three, a drunk psycho who lived across the alley behind our apartment, angry heads backlit in windows across Walton St. in front of it, release through writing, as it were. You can read it in Cabildo online or download the issue pdf here. Or: Write me and I’ll send you a copy: todd [at] the2ndhand.com.
Likewise goes for new Triumph postcards I cooked up recently, compliant with postal regulations (yes, you can mail them) and wonderfully printed via Modern Postcard. As Jerome Ludwig said recently of postcards, surely not the first such person: “the original text message.” If you’re up for handing around small stacks in your town, let me know and I’ll mail you a cache. There’s a brief excerpt from “The Stupidist Manifesto” on the the front side, more or less blank on the back. Looking pretty good, eh?:
Another story from my short-story collection is on the web, this one at the Vol. 1 Brooklyn online venue. It’s “Death in Hammond,” from the latter part of the collection — the night on which the piece is set is loosely based on an old friend’s bachelor party, which did in fact involve a sighting of Keanu Reeves at a Chicago steakhouse, where none were too attentive, in fact, and courses were set for only marginally floating casinos, where momentous things would happen, no doubt. I hope you enjoy.
T2Hers, a couple-few bits of news to share today:
1. Triumph of the Ape, the story collection I released as an ebook-only affair last year and then rather quietly took to print earlier this year is now on a run on Kickstarter to raise money to fund an initial sizable print run. You can contribute to the campaign — $12 level gets you the book and there are several other rewards, from past books of mine to THE2NDHAND’s past big anthologies (All Hands On, 2004, 2011) — via this link. Thanks in advance if you do! It’ll be live through around the end of June.
2. In the interim, for any writers out there: I do have a limited number of print review copies (as well as ebook versions) that are available should you be able to place a review someplace (or simply devote a blog post to the book).
3. Finally, Nashville folks, there’s also a reading Tuesday (May 21) where I’d love to see you in attendance! I’ll be reading a bit from the book. Find more details about all of this in the release-type text below, or in a new essay I wrote for the Tennessee Humanities’ Chapter 16 lit/review site here.
May 21 marks the first of the readings Todd Dills will be doing in support of Triumph of the Ape. In Nashville, Tenn., where he currently lives, he joins songwriter Mike Willis (of the great and awesome Cumberland Collective — you can check out my odd fictional paean to the group here) and East Side Storytelling host Chuck Beard at Fat Bottom Brewery, 900 Main Street, in East Nashville at 7 p.m. The reading and performance will be recorded and broadcast on Nashville’ WAMB radio, 1200 AM and 99.3 FM, at 2 p.m. the following Saturday.
There’s a series of blog posts all answering the same set of questions going around like a chain letter — in part, it will see something of a tentacle-end here, as I have been less-than-diligent about making certain friends and associates were lined up after me. There are two, however, folks perhaps more interesting than myself who will be taking part fairly soon, one a longtime T2Her who may or may not be living under an assumed name wherever he happens to be these days and the other a newer acquaintance/coconspirator living close by here in Guitar Town, as the highway haulers call it (find them at the end of what follows, a self-interrogation regarding my “long thing” long in the works). Gretchen Kalwinski gave me the big hand-clap over the turnbuckle to set me out on this, fyi — her addition to the “Next Big Thing” blog chain (whose name perhaps strokes my elementally narcissistic tendencies very nicely, thank you) you can find here. Well worth the time.
What is your working title of your book (or story)?
Shining Man, not that guy up there (yeah, that’s me)
Where did the idea come from for the book?
A couple places:
The extremities of bright light and darkness, the wild metaphorical possibilities of the activity of standing in traffic as a life’s pursuit, the character’s somewhat misanthropic but ultimately vulnerable and empathetic nature — all of these stuck with me through the years as I went about other business and watched a near-decade of war, greed, etc. takes it toll on the people and places around me. As the toll was becoming readily apparent in 2007, I was living in Birmingham, Ala., and picked the story back up for a long-ish amount of time before other projects intervened.
What genre does your book fall under?
Literary fiction, I believe, though Amazon at one point not so long ago had my first novel, Sons of the Rapture, categorized as “Men’s Adventure” or something similar — I suppose that might fit too!
There are some elements of mystery/noir, but they’re utilized to either satirical or character-building purposes, ultimately.
Which actors would you choose to play your characters in a movie rendition?
Are you serious? OK, I guess you are. The only actors who could potentially play the narrator that I can actually think of and name are way too old to do so by now, which may tell you a little about my connection with a lot of U.S. popular culture at this point. Actually, on second thought, the gent who played junkie/brit rock’n’roller/budding father figure Charlie in Lost I can sort of see as physically resembling my mental image of the character. Eh…
What is the one-sentence synopsis of your book?
A young man, learning of his father’s disappearance and possible death, flies off on a series of goose-chases to which he is unwitting, works without meaning at one gig after another and ultimately drops out of the mainstream of American life when he’s able to see with clarity the very simply reality that he’s not the only one dealing with the many barriers erected in front of his pursuit of meaning, happiness. (Long sentence, I know — I need to work on that. Gretchen did much better.)
Will your book be self-published or represented by an agency?
Are you serious? OK, once I finish it I’ll deal with that — the last two book projects I’ve undertaken (click through the image at the right for the latest) have been entirely self-driven (with pro bono help, of course — thanks again, everybody), and it’s very time-consuming to get all the pieces of a quality project together. If I can get help, I will take it.
How long did it take you to write the first draft of your manuscript?
Technically, I haven’t finished the first draft. But much of the material with this one has been rewritten over and over as I slowly move forward with the story. I’ve been working off and on since 2007 with this material, after the original short in 2000. The six years have been interrupted by those two book projects (in terms of writing, editing and producing), a full-time job writing for a couple magazines, and more, so saying I’ve been working on it for six years is not telling the whole story.
What other books would you compare this story to within your genre?
As noted earlier, Invisible Man is a definite structural/broad-thematic inspiration. It will have some similarities to a number of first-person-told novels of coming of age or, rather, late coming of age and adjusting badly to adult life. Barry Hannah’s Geronimo Rex, maybe.
Who or what inspired you to write this book?
Cf. “where did the idea come from”/similar question above. Much of the inspiration these days is self-propelled, a matter of will, you could say, and creating the time to do the work. The Occupy phenomenon got me back into it in earnest a year and a half back, actually, supplying a sort of real-life corollary to a plot/thematic element I had long been struggling with how exactly to approach. Life is more interesting that fiction, reality catches up with fiction, all that.
What else about your book might pique the reader’s interest?
It involves in its latter half or so a NASCAR driver and his team — Turner Bascombe is some senses intended as a contemporary version of wildman stock-car circuit pioneer Curtis Turner, one of the old driver-owners active mid-last century. Bascombe is something of an impossible figure in the reality of top-level stock-car racing today, being a successful driver-owner in an era of big-money multi-car teams and what-have-you, but I find the notion compelling and the potential for such a character great. I grew up near Charlotte, N.C., after all, home of most of the NASCAR teams, and a good bit of the novel is set there (the narrator spends a part of the book on the pit crew of the team after a chance meeting with Bascombe during a freeway traffic stand in Alabama on the eve of the Talladega race). I have an old affection for the racing pastime/sport/waste of perfectly good oil.
Chuck Beard is the proprietor the East Nashville-based East Side Story bookshop, dedicated to Nashville-based writers, primarily, and artists. He’s also the author of the novel Adventures Inside a Bright-Eyed Sky.